Month: August 2023

By Dan Kennedy

What is the role of a community newspaper? Is it to be loved? Or is it to hold the local power structure to account?

Maybe it’s a little bit of both, according to Eric Meyer, publisher and editor of the Marion County Record, the Kansas weekly that was recently subjected to a police raid on its office, on the home Meyer shared with his mother, retired Record publisher Joan Meyer, and the city’s vice mayor. Joan Meyer, 98, died the day after the raid, possibly due to stress stemming from the assault on her home.

Authorities, who apparently broke federal law in conducting the raid without first obtaining a subpoena, were supposedly seeking documents that it claimed the Record had illegally downloaded from a state website. The Record says it was on solid legal ground, and a state prosecutor ordered that the documents be returned to the paper. But the Record was also reporting on allegations of sexual harassment by Police Chief Gideon Cody in his previous job at the Kansas City Police Department, which may have been the real motivation the raid.

Meyer, Record reporter Deb Gruver and Gabe Rottman, a lawyer with the Reporters Committee for Freedom of the Press, which put together a letter signed by news organizations and press-freedom organizations, spoke last week at a virtual event organized by the New England chapter of the Society of Professional Journalists, moderated by SPJ national president Claire Regan. You can watch the entire conversation above, but here are some edited and condensed highlights.

Eric Meyer

On a home security video that shows Joan Meyer yelling at the officers who’d invaded her home, getting up in their faces and calling two of them “assholes”: “If you watch the video clip, you would say that’s a formidable woman. And she was also a very kind and gentle person who loved to help people and everything else. But she saw an injustice and she was angry about it.”

On Cody’s motives in ordering the raid: “The chief motivation is that Deb Gruver had information about him from his former co-workers that indicated he probably was somebody you wouldn’t want to have hired. To our discredit, we did not run the story [until after the raid]. We never could get anyone named on the record. This is a guy who went from Kansas City, Missouri, earning $110,000 a year, supervising dozens of people, to Marion, Kansas, supervising two people and earning $60,000 a year. You don’t usually take a $50,000-a-year pay cut, and a huge reduction in supervision, one year before you could have retired from the Kansas City Police Department. So there’s a lot of suspicion here.”

On reports such as this one in The New York Times that some people in Marion thought the Record was overly negative in its coverage: “If negative things happen, you’re going to have a lot of negative news in the paper. It is a little difficult because you have to live in the community. And I’ve been accused of trying to kill the town — that I came back here to kill the town. Well, what newspaper owner would ever want to kill the town that their newspaper is in? It just doesn’t make any sense.”

Deb Gruver

On having her cellphone physically taken from her and being forced to stand outside in the heat while officers searched the Record’s office: “I poked my head in and said, ‘Hey, it’s hot out here.’ And we’re sweating. And I’m not feeling very well. And he [one of the officers] said, ‘Yeah, you don’t look very good.’ So I said, ‘In the bottom drawer, there should be some bubbly water or whatever. Can you find it? I’d like to get something to drink.’ And it takes 20 minutes for him to get permission from Chief Cody to do that. I’m 56. I have hot flashes. My blood sugar was down because I hadn’t had anything to eat. There was no compassion shown at all. They were just enjoying that little bit of tiny power that they thought they had for a minute. And I despise him [Cody] now. I mean, I didn’t like him from the get-go. But I’m afraid of him. I’ll be honest, I’m afraid of him. I think that he is capable of doing something far worse to me. And I don’t feel great about being anywhere where he’s going to be.”

Gabe Rottman

On how unusual the raid on the Record was: “It’s kind of an odd case where the underlying facts are slightly immaterial, in the sense that these raids are so exceptionally rare that we don’t even track them. I can think of maybe four or five incidents that are possibly similar. Unless it was a journalist at the newspaper who was involved in criminal activity, unrelated to news, this just doesn’t happen. There’s a federal law in place, the Privacy Protection Act, which limits searches. There is no subpoena-first rule when you’re talking about reporting. You can only get it if you’ve got probable cause that the target committed a crime, and the crime can’t be related to news-gathering, with exceptions for national security leaks and a couple of others, neither of which are applicable here.”

Eric Meyer

On what’s next for the Record: “We’re going to publish the newspaper, and we’re going to still report the news. We might even report a little more aggressively because of this. I like to tell our staff, ‘We’re not competing with Facebook, we’re not even competing with another publication. We’re competing with Netflix. We’ve got to have something that is worth somebody’s time to read.’ And we’ve tried to do that. Our average website visit lasts about 10 and a half minutes, which, if you talk to most of the people who record such things, is a pretty phenomenal number. It’s better than The New York Times gets. And we try to give you something good solid that you can sit down with and enjoy reading.”

See my earlier coverage at Media Nation.

By Dan Kennedy

There’s good news about local news in Greater Boston today on three fronts. I’ll start with an attempt to revive arts reviews — at one time a staple of mainstream and alternative publications, but now relegated to niche outlets like The Arts Fuse, a high-quality website edited by Boston University professor and former Boston Phoenix arts writer Bill Marx.

Recently Paul Bass, the executive director of the nonprofit Online Journalism Project in New Haven, Connecticut, launched a grant-funded project called the Independent Review Crew. Freelancers in seven parts of the country are writing about music, theater and other in-person cultural events. Boston is among those seven, and freelance writer-photographer Sasha Patkin is weighing in with her take on everything from concerts to sand sculpture.

You can read Patkin’s work on the Review Crew’s website — and, this week, her reviews started running on Universal Hub as well, which gives her a much wider audience. Here’s her first contribution.

Bass is the founder of the New Haven Independent, started in 2005 as part of the first wave of nonprofit community websites. The Online Journalism Project is the nonprofit umbrella that publishes the Indy and a sister site in New Haven’s northwest suburbs; it also oversees a low-power radio station in New Haven, WNHH-LP. Before 2005, Bass was a fixture at the now-defunct New Haven Advocate, an alt-weekly that, like the Phoenix, led with local arts and was filled with reviews. The Review Crew is his bid to revive the long lost art, if you will, of arts reviewing.

Other places that are part of The Review Crew: New Haven; Tulsa, Oklahoma; Troy/Albany, New York; Oakland, California; Hartford, Connecticut; and Northwest Arkansas (the Fayetteville metro area is home to about 576,000 people).

I’ve got all kinds of disclosures I need to share here. I gave Bass some guidance before he launched The Review Crew — not that he needed any. The Indy was the main subject of my 2013 book “The Wired City,” and I’ve got a lengthy update in “What Works in Community News,” the forthcoming book that Ellen Clegg and I have written. I also suggested Universal Hub to Bass as an additional outlet for The Review Crew; I’ve known Gaffin for years, and at one time I made a little money through a blogging network he set up. Gaffin was a recent guest on the “What Works” podcast.

In other words, I would wish Paul the best of luck in any case, but this time I’ve got a bit more of a stake in it.

***

The Phoenix was not the city’s last alt-weekly. For nearly a decade after the Phoenix shut down in 2013, DigBoston continued on with a mix of news and arts coverage. Unfortunately, the Dig, which struggled mightily during COVID, finally ended its run earlier this year. But Dig editors Chris Faraone and Jason Pramas are now morphing the paper into something else — HorizonMass, a statewide online news outlet. Pramas will serve as editor-in-chief and Faraone as editor-at-large, with a host of contributors.

HorizonMass will publish as part of the Boston Institute for Nonprofit Journalism, founded by Faraone and Pramas some years back to funnel long-form investigative coverage to a number of media outlets, including the Dig. HorizonMass will also have a significant student presence, Pramas writes, noting that the project’s tagline is “Independent, student-driven journalism in the public interest.” Pramas adds:

With interns working with us as reporters, designers, marketers, and (for the first time) editors, together with our ever-growing crew of professional freelance writers, we can continue to do our part to train the next generation of journalists while covering more Bay State happenings than ever before. We hope you enjoy our initial offerings and support our efforts with whatever donations you can afford.

***

Mark Pothier, a top editor at The Boston Globe, is leaving the paper to become the editor and CEO of the Plymouth Independent, a well-funded fledgling nonprofit. Pothier, a longtime Plymouth resident and former musician with the band Ministry, is already listed on the Independent’s masthead. Among the project’s advisers is Boston Globe journalist (and my former Northeastern colleague) Walter Robinson, also a Plymouth resident, who was instrumental in the launch of the New Bedford Light. Robby talked about the Plymouth Independent and other topics in a recent appearance on the “What Works” podcast.

Pothier started working at the Globe in 2001, but before that he was the executive editor of a group of papers that included the Old Colony Memorial, now part of the Gannett chain. When Gannett shifted its Eastern Massachusetts weeklies to regional coverage in the spring of 2022, the Memorial was one of just three that was allowed to continue covering local news — so it looks like Plymouth resident are about to be treated to something of a news war.

On the latest “What Works” podcast, Ellen and Dan talk with Nicci Kadilak, an educator, author, mom and founder of Burlington Buzz. The Buzz is a hyperlocal online news site serving Burlington, Massachusetts, a town of 26,000 people north and west of Boston. Kadilak created the Buzz in early 2022, when a town election was on the horizon and the local Gannett weekly, the Burlington Union, switched to regional coverage — and later ended its print edition altogether. In the 1980s, Burlington was covered by two weekly papers and The Daily Times Chronicle of Woburn, where Dan worked for quite a few years.

Nicci uses the Substack platform and charges a range of subscription fees. She offers news stories about town government, cultural events, sports, and has a section that provides a platform for audio interviews of newsmakers. She allows reader comments, too. Nicci also writes essays at Nicci’s Notes, and her debut novel, “When We Were Mothers,” is available wherever you buy books online. (Nicci, Ellen and Dan met in a Zoom discussion of local news led by Simon Owens for his informative Media Newsletter.)

By the way, the Buzz was just named one of 74 finalists for a Lion Independent Online News (LION) Publishers’ Local Journalism Award. Listeners of this podcast will notice a number of other familiar news organizations as well.

In our Quick Takes on developments in local news, Dan reports on another effort to leverage tax credits for local journalism, and Ellen checks in on the decline and apparent death of the Santa Barbara News-Press.

You can listen to our conversation here and subscribe through your favorite podcast app.

By Dan Kennedy

One of the arguments that often comes up in discussions about how to pay for news is that journalism is a “public good.” I was thinking about this last night when I read Rebuild Local News president Steve Waldman’s latest piece in The Atlantic, in which he observes that journalism often saves more money than it costs. He cites some notable examples, including a ProPublica investigation that led to $435 million in fines and reporting by MLK50 in Memphis, Tennessee, that resulted in the cancellation of about $12 million in debt owed by hospital patients.

This is the very definition of a “public good.” When economists talk about a public good, they mean something similar, but not identical, to what we lay people mean. You and I might simply mean that a public good is good for the public, as tough, ethical journalism surely is. But what economists mean is that it’s also something that benefits the public whether they pay for it or not. Here’s how Investopedia puts it: “The two main criteria that distinguish a public good are that it must be non-rivalrous and non-excludable. Non-rivalrous means that the goods do not dwindle in supply as more people consume them; non-excludability means that the good is available to all citizens.” Thus, a public good carries with it a free rider problem.

This is what I wrote about public goods in my 2013 book “The Wired City”:

In economic terms, a public good is something that benefits everyone, whether each of us pays for it or not — which, perversely, creates incentives for us not to pay. That is why we must pay taxes rather than make voluntary contributions to fund national defense. “Public good” is a phrase that also comes up a lot in discussions of why it is so difficult to fix the news business. For example, the local newspaper reports that members of the school committee are taking bribes from a bus company with a record of safety violations. As a result of that reporting, those committee members are removed and prosecuted. Schoolchildren are safer. Yet people who don’t buy or even read the paper benefit just as much as those who do. Thus, there needs to be a way to pay or such journalism outside the for-profit, advertiser-based context that worked reasonably well until a few years ago. Seen in this light, community journalism is a public good that deserves funding beyond what the market is willing to pay.

The problem is that when tax money is used to fund journalism, it can create a conflict that interferes with the independence needed for a news organization to fulfill its role as a monitor of power. Watchdog reporting is difficult when the institutions you’re holding to account are also providing you with the money you need to operate. That makes journalism very different from the fire department, schools or public works, all of which may accept public money without any such conflicts.

In his Atlantic piece, Waldman advocates for tax credits for local publishers and advertisers, a variation of an idea that he’s been promoting for several years that was recently revived in the form of the Community News and Small Business Support Act, which I wrote about a few weeks ago. Now, tax credits are sufficiently arm’s-length that they don’t present much of a threat to journalistic independence. But the very fact that such indirect government assistance is being talked about helps illustrate why news isn’t just good for the public — it’s also a public good in every sense of the term.

At one time there was so much advertising money supporting journalism that we didn’t need to think about such things. These days, news has morphed from a highly profitable enterprise into a classic public good. It makes sense for us to find ways to fund that public good as long as we can do so without undermining the very qualities that make it a public good in the first place.

By Dan Kennedy

Earlier this week Judy Woodruff of the “PBS NewsHour” reported on the demise of The Canadian Record, an independently owned weekly newspaper that served the community of Canadian, Texas. Woodruff hits on themes familiar to readers of this space, including the loss of more than 2,000 newspapers in recent decades as well as the rise of polarization and the decline in voter turnout, both of which are related to a lack of reliable news and information at the local level.

The news from Canadian turns out to be not quite as grim as most of the story would suggest. We learn toward the end that publisher Laurie Brown and others continue to post occasional stories to the website and to the Record’s Facebook page, and that she’s currently seeking a buyer for the paper. But it’s certainly grim enough, as neither she nor her contributors are getting paid.

As optimistic as I am about the future of local news, there are parts of the country that are just hard. Places like Canadian, a small town in the rural Texas Panhandle, are especially difficult, as they lack the population base to sustain a news outlet now that most advertising has migrated to the internet. Such places also frequently lack the social capital needed to launch a nonprofit news organization.

I hope the Record finds a buyer, although, if she does, the new owner is going to face exactly the same kinds of challenges that proved insurmountable for Brown.